February 20th, 2010

 
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Archive News

Prophetic Drawing

November 29th, 2012

A group show curated by artist/writer William Corwin at George & Jorgen Gallery in Bermondsey. Artists include Dan Perfect, Fiona Rae, Sarah Lucas, Lucy Skaer and others

14th December 2012 – 25th January 2013

Private View: Thursday 13th December

http://www.georgeandjorgen.com/exhibitions.html#show=future

John Moores Painting Prize 2012

October 25th, 2012

‘Future Sun’ selected as part of the John Moores 2012 exhibition. Runs from 15 September 2012 – 6 January 2013.

Saatchi Gallery In Adelaide: British Art Now: Group Show At The Art Gallery Of South Australia

August 25th, 2011

Dan Perfect has been selected as part of the group show Saatchi Gallery in Adelaide: British Art Now at the Art Gallery of South Australia.

Saatchi Gallery in Adelaide: British Art Now brings together the best of contemporary art straight from London’s internationally acclaimed Saatchi Gallery. It features groundbreaking works that challenge conventional artistic sensibilities, created by more than forty of the new generation of daring British contemporary artists.

New Wave: British Art Today

April 11th, 2011

Group show at Etemad Gallery in Dubai. Open until May 1st 2011. 

Last Week of Saatchi Gallery Show

April 11th, 2011

Last week of Newspeak: British Art Now at the Saatchi Gallery. Runs until April 17th 2011

Newspeak: British Art Now – Saatchi Gallery

October 9th, 2010

Dan Perfect’s paintings will be amongst those included in the second part of the show Newspeak at the Saatchi Gallery, October 27th 2010 until 17th April 2011.

www.saatchi-gallery.co.uk

Dæmonology – Last day, Saturday 10th April

April 9th, 2010

Come along and join us for a drink and a last look at the show on Saturday 11-5pm

DÆMONOLOGY

March 8th, 2010

Karsten Schubert Gallery 27/01/10 – 09/04/10
For his 2009 Dæmonology series, Dan Perfect has conjured 26 numinous beings, from Amaethon – the Welsh agricultural deity – to Zadkiel – the biblical angel of mercy. They are a strange and indifferent company, carefully chosen for the alphabetic coincidence of their names rather than their imagined attributes. Drawn from a range of traditions, this arbitrary evocation appears a deliberate snub to the fiction of their existence.

Full of unusual colours and abstract shapes, these portraits examine the notions of illusion, projection and the make-believe, while firmly referencing our need to animate the world around us.